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精品推薦一百零八將

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精品推薦——一百零八將

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中國人物畫的發端早于漢代,盛于隋唐,“吳帶當風”、“曹衣出水”,在人物畫藝術上引領了一大批傳世名作。兩宋李公麟、梁楷傳承唐風,又將水墨人物畫推上了新的高峰。元代以后山水花鳥漸成畫壇主流,人物畫不再獨領風騷,卻依然名家輩出,唐寅、仇英、陳洪綬、黃慎,近代又有任伯年,塑造了無數光彩照人的人物形象。中國人物畫隨著時代的發展,生生不息,綿延千年,蘊含著恢宏的藝術生命力。 內容來自taiyuan1.com.cn

精品推薦——一百零八將

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此畫為人物肖像畫,共一百單八將,指四大名著之一《水滸傳》中梁山泊上的一百零八頭領,由天罡星三十六員和地煞星七十二員組成。這一百零八人性格各異,各有所長,結局不同,是我國文學史上的經典人物群像。其小說《水滸傳》同時也是刻畫人物最多的小說之一。此畫筆姿放縱,氣象雄偉,深入古法,亦偶有筆過傷韻者。間作山水、花鳥,得荒率之致。所畫多歷史人物、佛道、樵夫漁父,早年工細,后參以懷素草書筆法,所作人物用筆粗獷,頓挫轉折,縱橫排奡,氣象雄偉。花鳥筆法洗練,形象概括,畫風潑辣;山水境界開闊,注重詩意的表達。黃慎款水滸一百零八將卷軸,是其經典代表作,長卷長為4.3米,寬45厘米,畫面108將栩栩如生,傳神到位,是一副不可多得的傳世佳作。 copyright taiyuan1.com.cn

精品推薦——一百零八將

本文來自太原網

此畫還有一大特點,此畫是由絹所造,也就是我們俗稱的帛畫(頂級絲織品)。帛畫,中國古代畫種。因畫在帛上而得名。帛是一種質地為白色的絲織品,在其上用筆墨和色彩描繪人物、走獸、飛鳥及神靈、異獸等形象的圖畫,約興起于戰國時期,至西漢發展到高峰。帛畫是指中國傳統絹本畫以前的以白色絲帛為材料的繪畫,采用百分之百頭道桑蠶絲,不漿、不礬、不托,運用工筆重彩的技法繪制而成。帛畫的色彩用的是朱砂、石青、石綠等礦物顏料,豐富而鮮艷,如馬王堆一號漢墓帛畫;也有用用墨兼用白粉繪制的,如人物龍鳳帛畫。其描繪的是天象、神祗、圖騰和人物,以表現茫茫天國中神人共處的神話世界。綜上資料所訴,此畫無論是從他的精美畫工來看,還是從他高貴的材質來看,都是不可多得的名貴珍品。貴司有幸征集到此幅字畫,畫工精細保存完好,值得收藏入手,具有很大的升值空間。

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精品推薦——一百零八將

copyright taiyuan1.com.cn

1:絹地顏色為麥黃色,卷本畫保存最好的顏色; copyright taiyuan1.com.cn

2:其一筆一畫也為一氣呵成體現出應有的神韻; 內容來自taiyuan1.com.cn

3:用筆用墨層次分明,該重則重,該淡則淡,而且神形具備;

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4:用色為礦物顏料,歷史愈久越漂亮,不會褪色,而植物質顏料則會隨時間而逐漸褪色;

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5:從用筆、用墨、落款、圖章來看該書畫整體體現出作者本人的風格。

內容來自taiyuan1.com.cn

綜合分析該字畫為清末時期作品具有一定收藏價值。 內容來自taiyuan1.com.cn

Boutique recommendation -- 108 will 本文來自太原網

Chinese figure painting originated in the han dynasty and flourished in the sui and tang dynasties. "wu dai-dang feng" and "cao yi shui shui" led a large number of masterpieces in figure painting art. In the song dynasty, li gonglin and liang kai inherited the style of the tang dynasty and pushed the ink figure painting to a new peak. After the yuan dynasty, landscape flowers and birds gradually became the mainstream of painting, figure painting is no longer dominant, but still famous, tang Yin, qiu ying, Chen hongshou, huang shen, modern and ren bonian, shaped countless brilliant figures. With the development of The Times, Chinese figure painting keeps growing for thousands of years, which contains great artistic vitality.

taiyuan1.com.cn

This painting is a portrait of the character, a total of 100 single eight, refers to one of the four great classical novels "water margin" in the liangshan bo one hundred and eight leaders, by the tiangang star 36 members and 72 members of the star. These 108 people are different in character, each has its own specialty, the result is different, is the classical character group image in the history of literature of our country. His novel water margin is also one of the novels that depict the most characters. This painting style indulges, looks magnificent, deep into the ancient law, also occasionally has the pen to hurt the rhyme. Intercropping landscape, flowers and birds, the rate of scarcity. Painted many historical figures, Buddhism and Taoism, the woodcutter fishermen, early exquisitely, the arguments to the huai su cursive hand brushwork, made bold pen characters, frustration twists, vertical and horizontal row Ao, meteorological ambitious. Flower and bird brushwork, image summary, painting style vigorous; Landscape realm is broad, pay attention to poetic expression. Huang shen style water margin 108 will scroll, is its classic representative work, the long scroll is 4.3 meters long, 45 centimeters wide, the picture 108 will be lifelike, vivid in place, is a rare masterpiece.

本文來自太原網

Another characteristic of this painting is that it is made of silk, or silk painting as we call it (top silk). Silk painting, ancient Chinese painting species. It got its name because it was painted on silk. Silk is a kind of white silk fabric, on which the figures, animals, birds, gods, exotic animals and other images are depicted with ink and color. It rose in the warring states period and reached its peak in the western han dynasty. Silk painting refers to the Chinese traditional silk painting before the white silk as the material of the painting, using 100 percent of the road mulberry silk, not pulp, not alum, do not support, the use of meticulous painting techniques painted. The colors of silk paintings are rich and colorful with mineral pigments such as cinnabar, turquoise and shivergreen, such as silk paintings of no. 1 han tomb of mawangdui. It is also useful to use both ink and white paint, such as silk paintings of dragon and phoenix characters. It depicts the celestial phenomena, deities, totems and figures to represent the mythical world of the coexistence of god and god in the vast kingdom of heaven. To sum up, no matter from his exquisite painting, or from his noble material, this painting is rare rare treasures. Your company has the honor to collect this painting, fine painting well-preserved, worthy of collection, with a lot of room for appreciation.

本文來自太原網

1: the color of silk ground is wheat yellow, the best preserved color of this scroll painting; 本文來自太原網

2. One brush stroke and one painting also reflect the due verve in one breath; 太原網

3: with the pen and ink hierarchical, the weight is heavy, the light is light, and god has;

本文來自太原網

4: use the color as mineral pigment, the longer the history, the more beautiful, will not fade, and plant matter pigment will gradually fade with time;

內容來自taiyuan1.com.cn

5: from the use of pen, ink, signature, stamp to see the overall calligraphy and painting reflects the author's own style. 太原網

Comprehensive analysis of the calligraphy and painting for the late qing dynasty works have a certain collection value. 本文來自太原網

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